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However that Russian piano sound hewn out of solid gold was evident seconds after he touched the magnificent Fazioli. The phrasing of the theme was not sufficiently noble for me. The Chopin Scherzo No: 3 in C-sharp minor was at once a fine and noble account approaching grandeur at the conclusion. The work is incredibly demanding both physically and psychologically for the pianist. The movement closes with a forte statement of the melodic motive that opened the movement, and then fades to a close. I felt however for pieces of this nature his touch and tone could be far more refined for such period works. The Rondo was a truly welcome explosion of energy on the part of both the soloist and orchestra.

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